Recently, on Geniusbook, a friend of mine groused about her
teenager, who seems to be perpetually on mute. She can’t get a word out of him.
The responses to her post were split pretty evenly when it came to what’s
worse: verbal diarrhea or the silent treatment. Some moms complained of
constant chatter and too much sharing. Others were equally frustrated with the
silent treatment.
Of my four kids, I have one who never shuts it, one who
rarely shuts it, one who is mostly quiet until he’s completely insane, and one
quiet soul who I refer to as the hovercraft, because of her ability to move
silently through the house: no footsteps, no voice, just a delicious absence of
sound.
Can you guess which way I’m leaning on this topic?
In any given moment, but most commonly in the morning when
I’m vertical, yet still asleep, or during dinner prep time when I wish I was,
I’m flanked by Chatzilla, with her verbal stream-of-consciousness, and
Talkasauras Rex, telling a “story.”
Sometimes I have to interrupt T-Rex, like after I’ve pulled
out all my hair, strand-by-strand, bitten all my nails down to nubs and
scratched at my ears until they resemble shredded, bloody rags dangling limply
from my head.
“This story was over an hour ago. Do you realize you are
still talking about the look someone gave you when they passed back the paper
today in math class?”
If her stories were a U2 album, it would be called “Where
the Details Have no Point.”
In fact, I’m thinking of calling the State Department and
offering up her services at Guantanamo. Water-boarding is no match for this
form of torture.
Trust me, I listen to the important stuff, and yes, I am
qualified to make that determination. But there are times when I just have to yell
“Cut!” It’s hard to break her little storytelling spirit, but I’m not doing her
any favors by not pointing out to her that her ability to digress and include
every painful, unnecessary detail of a situation may result in a distinct lack
of listeners eventually.
Sometimes I hear myself saying things that I know my
therapist would scold me for, if only I admitted them to her, which I don’t.
Like, the other day, twelve minutes into a story about how she misplaced her
sandwich at lunch, I interjected, “Only those details that affect the meaning
of the story, I’m begging you.”
Then, there’s my son. His stories have to be pieced together
like a letter that’s gone through a paper shredder.
“Mom, Mrs. ____________ is so dumb. I got an F on the
assignment for no reason. I’m going to play basketball now. Bye.”
“Hang on there, Turbo. Which assignment? What were the instructions? When was it due?
“No.”
Huh? I didn’t ask him any yes/no questions. Why is he saying
“no?” I quickly think back to my list of queries.
“Okay, let’s break this down. When was the assignment due?”
“Last week.”
“When did you turn it in?”
“I didn’t.”
Now, I’m really confused and on the verge of tears. I just
want to know what the hell happened without having to ask obvious questions,
like, “what the hell happened?”
“Okay, try to tell me what happened from beginning to end,
in that order. This is what is called a s-t-o-r-y. It has a beginning, a
middle, and an end. The end serves to wrap things up and leave the listener
with a sense of accomplishment that they’ve learned something. Ready? Go.”
“I did tell you! I got an F!”
“You told me the ending! I need some rising action here, Chief!”
And there you have it: One child thinks a story is a
chronology of every nuance of every person she’s come into contact with
throughout her day, and the other thinks it’s a one-sentence expression of his
current mood.
There’s actually a third category. These people begin a
story in the middle, then work forward and backward until the person
desperately trying to understand (me) asks the wrong question. That’s when the
storyteller cops an attitude and has the nerve to say, “You’re not getting it,
are you?”
But that’s another story.
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